HBO’s The Penguin isn’t just another superhero spinoff—it’s a gripping, character-driven crime saga that solidifies Colin Farrell as one of the finest actors of his generation. Serving as a continuation of Matt Reeves’ The Batman (2022), the eight-part series strips away the comic book gloss, plunging Gotham into an intense, gritty underworld where power is everything and redemption is a foreign concept.
Unlike most franchise expansions, The Penguin dares to tell its story without relying on the presence of the Caped Crusader. Instead, it focuses on the shifting power dynamics in Gotham after Carmine Falcone’s death, with Oswald “Oz” Cobb—formerly Oswald Cobblepot—seizing his opportunity to fill the power vacuum. What unfolds is a Shakespearean rise-and-fall tale, blending crime, tragedy, and ruthless ambition with a surprising emotional core.
Colin Farrell’s transformation into Oz is nothing short of extraordinary. Beneath layers of prosthetics, he delivers a performance that is equal parts menacing, pitiful, and darkly charismatic. Oz isn’t a misunderstood anti-hero—he’s a full-fledged villain whose pettiness, impulsivity, and sheer cunning make him impossible to root for, yet equally impossible to look away from. Farrell balances the character’s desperation with an undercurrent of menace, ensuring that every scene is charged with tension.
Cristin Milioti’s Sofia Falcone is a revelation, proving to be just as formidable as her comic book counterpart while adding layers of depth and complexity. Her dynamic with Oz—starting as wary allies and devolving into a brutal rivalry—is one of the show’s highlights. Rhenzy Feliz as Victor, Oz’s reluctant protégé, brings much-needed humanity to the show. His tragic arc is a stark contrast to Oz’s ruthless ascent, serving as a reminder of what Gotham does to those who try to hold onto their innocence.
From the neon-lit alleyways to the grim corridors of Arkham Asylum, The Penguin immerses viewers in a version of Gotham that feels more alive than ever. The cinematography embraces wide shots and muted tones, creating an atmospheric blend of noir and neo-realism that makes the city feel oppressive yet mesmerizing. Every corner of Gotham is teeming with danger, and the show makes full use of its setting to enhance the stakes at play.
Unlike other villain-led projects that attempt to humanize their protagonists (Joker, Venom), The Penguin doesn’t shy away from showing just how despicable Oz truly is. Whether he’s betraying those closest to him, manipulating his enemies, or exploiting his mother’s deteriorating condition for his own gain, the show ensures that any fleeting sympathy is quickly crushed by his next act of cruelty. The writing excels in maintaining this fine balance, making Oz a compelling yet irredeemable figure.
While The Penguin stands on its own, it serves as a crucial bridge to The Batman Part II (2026). Without feeling like a mere setup, the series builds anticipation for Oz’s eventual clash with Batman, solidifying him as a formidable force in Gotham’s future.
The Penguin is a masterclass in villain-led storytelling, proving that comic book adaptations can still break new ground. With an award-worthy performance from Colin Farrell, stunning cinematography, and a tightly woven plot, the show cements itself as one of the best crime dramas in recent memory. It doesn’t need a second season—it has already achieved greatness.
Final Verdict: 5 stars (out of 5)